Italian actress. Di Lorenzo started on the stage in her teens, sometimes acting with her mother. As a young woman, she joined the company of Francesco Pasta in 1890-1891, and then the company of Flavio Andò from 1897 to 1905. She toured abroad on several occasions, in Eastern Europe, Central America, and South America. From 1912 to 1914 she was a member of the Stabile del Teatro Manzoni in Milan. Her roles included Juliet, Camille, Zaza, and Pamela. She wore costumes by theatrical designer Luigi Sapelli. She appeared in three Italian silent films: La scintilla (1915, directed by Eleuterio Rodolfi), La bella mamma (1915, directed by Eleuterio Rodolfi) and La gorgona (1916, directed by Mario Caserini). Di Lorenzo was already famous enough at age 24 to be the subject of a biography; Tina di Lorenzo: Cenni biografici e artici, by Camillo Antona-Traversi, was published in 1896. Another biography was published in 1906.
Italian actress. Di Lorenzo started on the stage in her teens, sometimes acting with her mother. As a young woman, she joined the company of Francesco Pasta in 1890-1891, and then the company of Flavio Andò from 1897 to 1905. She toured abroad on several occasions, in Eastern Europe, Central America, and South America. From 1912 to 1914 she was a member of the Stabile del Teatro Manzoni in Milan. Her roles included Juliet, Camille, Zaza, and Pamela. She wore costumes by theatrical designer Luigi Sapelli. She appeared in three Italian silent films: La scintilla (1915, directed by Eleuterio Rodolfi), La bella mamma (1915, directed by Eleuterio Rodolfi) and La gorgona (1916, directed by Mario Caserini). Di Lorenzo was already famous enough at age 24 to be the subject of a biography; Tina di Lorenzo: Cenni biografici e artici, by Camillo Antona-Traversi, was published in 1896. Another biography was published in 1906.
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